Malibu Beach Shoot June 25th

We had an amazing day shooting Displacement a couple weeks ago.  Crashing waves, jutting rocks and sunshine were the backdrop for our shoot at Malibu’s El Matador Beach.  

That said, we are even luckier to welcome Susan Blakely to our cast.  She is playing Cassie’s mother.  As you’ll see, we had a fun day shooting and invite you to take a look at some of the behind-the-scenes we captured.

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HOTEL SET BUILD

Hi Friends!  Back in December, the Displacement team took over a sound stage in Inglewood for two weeks and we turned it into a hotel room.  We had a timelapse video camera set up that captured the entire set build in about one minute. Enjoy!

 

And to see how this turned out on film, you can watch the first 7 minutes of the movie on our website!  (featuring an amazing original music score by composer Gordy Haab (“Behind the Mask”, “Star Wars: The Old Republic”).  Check it out here:

http://www.displacementthemovie.com

Thanks again everyone!  And stay tuned for more exciting news to be announced soon.


To be a part of Displacement, check out our permanent donations page here

Also be sure to follow us on Twitter and like us on Facebook.

GOLDEN GLOBE WINNER SUSAN BLAKELY JOINS CAST!

Great News! We are very excited to welcome the latest addition to our amazingly talented cast: Golden Globe Winner and Emmy Award Nominee Susan Blakely!!

Susie will play Carol Sinclair, mom to Courtney Hope’s character Cassie in scenes that are at the very heart of the film. This will also mark the first time Susie and Sarah Douglas will appear in a film together, though they are long-time friends and colleagues. So making a little history here as well!

Welcome to our family Susie! We can’t wait to work with you.

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New Photos from Displacement!

Here are some of the newest photos from the set of Displacement.  All of these were shot during our large blocks of filming that occurred in late 2013.  Check out all the fun we’ve had on set!

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Aza taking BTS footage while Ken and Bill prepare for a shot.

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Courtney gets ready to move as Ken and Zander prep her for a shot

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Ken and Courtney discuss some of the blocking

 

For more photos, please be sure to check back here, as well as follow us on Facebook and Twitter.

An Interview with Ken

As you may have guessed, our director Ken is a busy guy.  When he’s not directing the film he’s likely editing it.  And when he’s not doing either of those, he’s busy producing it.  And that doesn’t even cover all of the fundraising he’s busy doing.  So it’s pretty easy to see why it’s hard to sit him down and chat about Displacement.  Luckily we found an opening during December’s filming.

Last month, as everyone was gearing up for the holidays, all of us here on the Displacement crew got to work on the most significant part of the film.  Ten days of shooting, including finally getting the chance to shoot some scenes with actor Christopher Backus (Elevator, Three Days Gone), who was fresh off of shooting the pilot for the new Lifetime show Deliverance Creek.  Backus had landed back in LA late Friday night and was on the Displacement set Saturday morning.

With a tight schedule like that, Ken, Christopher, and our lead actress Courtney Hope (Prowl, Mob Rules) didn’t get a chance to rehearse.  That wasn’t a problem for our cast.  “They literally dropped into it with no rehearsal,” says Ken.  Though Courtney and Christopher had only briefly met at the launch party for Displacement’s Indiegogo campaign back in June, the two were able to build up a relationship quickly.  Ken says that by the time the two were out of makeup, Christopher and Courtney had transformed into Brian and Cassie.

It’s clear on set that the two actors have an ease with each other, and when the camera starts rolling they have a chemistry and playfulness on set that brings the script to life.  Ken saw the opportunity to sit back and see what happened, “I just let them play.  I let them do their thing.”  He says that sometimes you have to allow for that as the director, that there are certain plot points you always have to make sure are in the script so the movie makes sense in the end, “but the rest of it, for me, I like to let the actors make it their own.  I am more interested in what is beneath the words, their intentions, than the words themselves.”

So what is next for Displacement?  “Raising money,” Ken jokes.  The block of filming in December successfully got Displacement to over 70% in the can, but it was an expensive block, due to the fact that an entire set had to be built.  For Displacement this was absolutely necessary for the script because the hotel room had to be very specific; it required a bathroom directly across from the front door, and that is very hard to come by.  Ken and the Displacement crew found a location, but decided it was easier and more cost effective to replicate the set on a sound stage.  “We’ve been on location for everything,” Ken says, so being on set was a nice change of pace. “It’s still a lot of work, but it’s much more flexible.”

One of the great things about working on a sound stage was that the crew got to set up some complex shots that wouldn’t have been capable on location.  We can’t say what they are, but we can tell you when you see them, you will be amazed.

To be a part of Displacement, check out our permanent donations page here

Also be sure to follow us on Twitter and like us on Facebook.

HAPPY NEW YEAR!

Hello friends and fans, hope you all had wonderful Holidays! We spent most of the season in the edit bay cutting the gift that is all the footage from our stage shoot. Pretty remarkable stuff we achieved on that set that we’re sure you’re going to love in the finished film. Our actors were on fire, crew kicked butt, lighting and shots look terrific, all in all an amazing experience that raised the bar on this picture even further and is cutting together beautifully. The opening scene alone already has early viewers on the edge of their seats, and there’s not even music or sound mixing yet! A good sign to be sure and heck of a way to open our movie. Stay tuned for more as we move toward finishing in 2014. Here’s a little taste of the opening shot in the film from our stage shoot:

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